Your second (maybe third?) choice for book news, reviews, praise & slander.
Friday, May 2, 2008
Book News, In Brief
(if a picture is worth a thousand words, consider this post three thousand words short)
Fans of Y: The Last Man and/or the heart warming antics of poop slinging monkey sidekicks will get a kick out of this news bit, via a Hyperion press release: Hyperion have pre-empted North American rights to KASEY TO THE RESCUE: How a Capuchin Monkey Saved a Family in Despair by Ellen Rogers. Hyperion President Ellen Archer announced the deal saying: "This remarkable story of a mother's love for her son and the irresistible monkey who transforms their lives will leave readers laughing through their tears. It is one of those rare books that celebrates what it means to be a family in both the best and the worst of times." Read that last part again. Whoever wrote that is either a sarcastic genius or a hyperbolic idiot. It's a thin line, innit?
Via The AP: Chick lit is on the rise in Nigeria's Muslim north, with predictably divided results. On the one hand, the female fans say that the books "help them navigate contemporary life and their titles are proliferating rapidly, pitting younger women against a predominantly male, conservative elite," while the fellas feel they're "pulp fiction that degrades Islamic and indigenous cultural mores." Paging Nora Ephron, Matthew McConaughey and that girl from Almost Famous: this sounds like a wacky rom-com in the making.
Reason #4356842 why I think Americans mostly suck, via Yahoo News: People in Argentina, Mexico, Egypt and China are more likely than those in the United States to say it is very important for the news media to be free from government control, a survey published on Thursday found. The survey of 20 countries by World Public Opinion.org at the University of Maryland, found strong support worldwide for a free press and opposition to government restrictions on access to the Internet. But in the United States, where residents believed the news media already had significant freedoms, many people did not support further protections for the press, the survey showed.
Via The AP: Chick lit is on the rise in Nigeria's Muslim north, with predictably divided results. On the one hand, the female fans say that the books "help them navigate contemporary life and their titles are proliferating rapidly, pitting younger women against a predominantly male, conservative elite," while the fellas feel they're "pulp fiction that degrades Islamic and indigenous cultural mores." Paging Nora Ephron, Matthew McConaughey and that girl from Almost Famous: this sounds like a wacky rom-com in the making.
Reason #4356842 why I think Americans mostly suck, via Yahoo News: People in Argentina, Mexico, Egypt and China are more likely than those in the United States to say it is very important for the news media to be free from government control, a survey published on Thursday found. The survey of 20 countries by World Public Opinion.org at the University of Maryland, found strong support worldwide for a free press and opposition to government restrictions on access to the Internet. But in the United States, where residents believed the news media already had significant freedoms, many people did not support further protections for the press, the survey showed.
Wednesday, April 30, 2008
Tuesday, April 29, 2008
A Quick Tip for Comics Fans
While scrolling through Journalista this morning, I came across this link:
[Review] Craig Fischer on Eddie Campbell’s seminal post-adolescent reverie, The King Canute Crowd. (Above: sequence from the book, ©2000 Eddie Campbell.)
...which proved to be an interesting, slightly academic look at one of my all-time favorite comics, but one written more for those familiar with the book than those who are not.
It also contained this paragraph and its embedded link :
There's plenty of literature about adolescent rebellion--do they still make high school kids read The Catcher in the Rye and A Separate Peace?--but it seems to me that the art dries up once the rebel disconnects from repressive structures like boarding schools and dysfunctional families. Once the rebel achieves a degree of freedom, his or her goal becomes existential and contemplative ("How will I live my life?") and questions like these don't lend themselves as easily to dramatic treatment as, say, conflicts between a priggish schoolmaster and a smartass student. There are authors, though, who make "How will I live my life?" a major theme of their work: Joyce explores how difficult it is to fly above the nets of "language, nationality, religion," for instance, and Kerouac's Dean Moriarty exemplifies the dangers inherent in the quest for freedom. (Warren Ellis has a sharp commentary on some of the connections between On the Road and Canute.)
Ellis' article takes a different approach to Fischer's. It's a review of sorts, disguised as memoir. While browsing around in a comic book shop, Ellis' friend hands him a copy of the collected Alec comics, and off Ellis goes, remembering his initial impressions of the book, as well as his feelings about it's updated form and content.
An excerpt:
These are the stories of Eddie's life in the Southend area, drinking at the King Canute. Eddie is Alec McGarry. Danny Grey's real name is Bob Grey. It's autobiographical fiction with the names changed, which seems to allow Eddie an essential distance to do it right. And it skirts all the usual pitfalls of autobio fiction. It shows life being lived. This may have to be explained to mavens of American autobio comics. This is not the same as Chester Brown beating off, or Julie Doucet being pathetic, or the awful spectacle of Harvey Pekar just doing nothing worth looking at for years on end. And it's not the same as Dennis Eichhorn's autobio stuff, which was genuinely interesting and engaging but never really used the medium very well. This is one of the great instinctual masters of the medium taking everyday life and showing it being lived, showing people achieving and losing and changing and loving and hating, making the living of life glorious and riveting - life as we remember it when we look back on it.
This is the article you'll want to read if you've never read Alec: The King Canute Crowd. If'n you have read it, then this is the article that you should make your friends read in order to get them reading it as well.
Wow. Two great pieces about one great comic. What a wonderful way to spend a lunch break.
[Review] Craig Fischer on Eddie Campbell’s seminal post-adolescent reverie, The King Canute Crowd. (Above: sequence from the book, ©2000 Eddie Campbell.)
It also contained this paragraph and its embedded link :
There's plenty of literature about adolescent rebellion--do they still make high school kids read The Catcher in the Rye and A Separate Peace?--but it seems to me that the art dries up once the rebel disconnects from repressive structures like boarding schools and dysfunctional families. Once the rebel achieves a degree of freedom, his or her goal becomes existential and contemplative ("How will I live my life?") and questions like these don't lend themselves as easily to dramatic treatment as, say, conflicts between a priggish schoolmaster and a smartass student. There are authors, though, who make "How will I live my life?" a major theme of their work: Joyce explores how difficult it is to fly above the nets of "language, nationality, religion," for instance, and Kerouac's Dean Moriarty exemplifies the dangers inherent in the quest for freedom. (Warren Ellis has a sharp commentary on some of the connections between On the Road and Canute.)
Ellis' article takes a different approach to Fischer's. It's a review of sorts, disguised as memoir. While browsing around in a comic book shop, Ellis' friend hands him a copy of the collected Alec comics, and off Ellis goes, remembering his initial impressions of the book, as well as his feelings about it's updated form and content.
An excerpt:
This is the article you'll want to read if you've never read Alec: The King Canute Crowd. If'n you have read it, then this is the article that you should make your friends read in order to get them reading it as well.
Wow. Two great pieces about one great comic. What a wonderful way to spend a lunch break.
Book News, In Brief
Monday, April 28, 2008
Book News, In Brief
Seeing as how nothing ever became of Mallory's writing (despite her connections), I think it's safe to say that she was probably a better lover than a author. The fact that she sold the Mailer papers to Harvard (instead of simply donating them), leads me to believe that she's more of a gold-digger than a do-gooder.
The Collected Reviews of:
The Library At Night
The Guardian UK also reviews TLAN, but focuses on a section of the book that will make most bookstore owners and employees cringe: Manguel is old, wise and sad enough to know that the future belongs to the users of the Kindle reading device and to oafish librarians who discard books as landfill after transferring their contents to disks or CD-Roms that may be illegible in a decade. He therefore likens his own library to the coffin of native earth that Dracula carries with him from Transylvania to London.
But wait, then it gets pro-pulp again: It's a good joke, but it's unjust. Milton said that a great book was 'the precious lifeblood of a master spirit': literally an infusion or transfusion of life, not a portable grave in which the undead quietly slumber. Reading, as Manguel knows, is 'a ritual of rebirth', which both invigorates the reader and awakens old books to new life. He shows what he means by describing his dreams of a fluid subliminal library, a place where the hero of Kafka's The Castle sails off in a quest for the Holy Grail on the whaling vessel from Melville's Moby Dick, then after a shipwreck lands on an island where, like Crusoe, he reconstructs civilisation by consulting the three bibles he has salvaged from the wreck. Books jump out of their jackets when Manguel opens them and dance in delight as they make contact with his ingenious, voluminous brain. He is not the keeper of a silent cemetery, but a master of bibliographical revels.
Still not convinced this book is worth picking up? Here are links to reviews in The Washington Post, The LATimes, and an excerpt of the book, care of Random House.