Your second (maybe third?) choice for book news, reviews, praise & slander.
Friday, January 16, 2009
Book News, In Brief
Thursday, January 15, 2009
Blog-Jacking: 101 Reasons To Stop Writing
Breaking News: Publishers, Agents Report Sharp Increase in “Unpublishable” Submissions
By Stephen Jayson Harris
New York — At the end of a week filled with news of layoffs at some of America’s biggest publishing houses, editors and literary agents are reporting a dramatic increase in the volume of unsolicited manuscripts and query submissions — many of which are considered “unpublishable, even unreadable”. Editors and agents interviewed for this story claim that their slushpiles have more than doubled since the 1st of December, a pattern that has been repeating and escalating for the last ten years, and no-one is sure what is causing the increase.
“I don’t know where all this is coming from,” said one editor who wished to remain anonymous and employed. “By Wednesday, my email Inbox looked like I’d somehow subscribed to a live submission feed from BookSurge or Lulu. By Friday, the mail was stacked up floor to ceiling in the hallway outside the company offices. With the financial crisis, we can’t even afford to feed our interns, so I’m stuck going through the slush. And all of it seems so … unpolished, like a first draft, like they’d just finished writing it the day before. Who’s writing all this stuff, and why are they sending it to me, and why now? Why does the end of November always mean a deluge of crap?”
To finish this damning indictment of the wannabe writers among us, click here.
By Stephen Jayson Harris
“I don’t know where all this is coming from,” said one editor who wished to remain anonymous and employed. “By Wednesday, my email Inbox looked like I’d somehow subscribed to a live submission feed from BookSurge or Lulu. By Friday, the mail was stacked up floor to ceiling in the hallway outside the company offices. With the financial crisis, we can’t even afford to feed our interns, so I’m stuck going through the slush. And all of it seems so … unpolished, like a first draft, like they’d just finished writing it the day before. Who’s writing all this stuff, and why are they sending it to me, and why now? Why does the end of November always mean a deluge of crap?”
To finish this damning indictment of the wannabe writers among us, click here.
Democrat Book News, In Brief
(cuz there's just as much stupid book news coming from the left)
Wednesday, January 14, 2009
Recommended Viewing:
Sarah Vowell on The National Post
Although I've never forgiven Vowell for letting her Incredibles character become a boring preppy at the end of the movie, I still begrudgingly love her books. Today's 'Recommended Viewing' features Ms. Vowell talking about her new tome, The Wordy Shipmates, as well as a li'l about her next book, a history of Hawaii from the European settlement on. (Plus, today's posts are turning out to be uber-liberal, and what's more liberal than an NPR personality?)
Republican Book News, In Brief
Tuesday, January 13, 2009
Comic Book News, In Brief
Author du Jour: Jen Hadfield
Biography:
(lifted en masse from uk.poetryinternationalweb.org)
Hadfield was born in Cheshire in 1978. She won an Eric Gregory Award in 2003 and was given a Scottish Arts Council Writer's Bursary in 2002 to help her complete her first collection Almanacs which was published by Bloodaxe in 2005. She used her Eric Gregory Award to fund a year's residence in Canada, where she has family, giving readings from Halifax to Vancouver. She continues to indulge her passion for getting words onto objects, and uses linocut, photography, woodwork, bookbinding and fly-tying in her artist books, which she calls “Rogue Seeds”.
Although an English writer, study, residence and travel in Scotland and Canada have been central to Hadfield's poetry thus far. Almanacs is a reassuringly different debut, hard to pin down, and with no signs of stepping in the prints of the previous generation. Kathleen Jamie has called her “a zestful poet of the road, a beat poet of the upper latitudes”, while Tom Leonard described “a quick mind abroad . . . a coquettish dance of nature’s primal forces . . . a whole and committed poet”.
Hadfield is certainly a nature poet, but a dazzling, contemporary one and her work never suffers from the shallow philosophizing or haughty self-reflection which undermines much poetry centred on landscape and travel. Even when set in remote places, her work is infused with colloquial speech, cars, popular music, modern myth. How fabulous to discover such a responsive poet, excited by her surroundings, who so clearly delights in matching experience and language.
Jen Hadfield is an excellent performer of her poems and refreshingly hard-to-place on the contemporary British poetry map. In spirit, perhaps, she is closest to Edwin Morgan, the senior Scottish poet who has ranged across the whole of such a map with equal parts seriousness and levity. For a poet still in her mid-twenties, she offers not just promise, but a direction for other young writers to follow.
But Wait! There's More:
(a biographical update, care of The Guardian UK)
A relative newcomer to poetry who has been widely praised for her passion and awareness of the natural world has tonight won one of the genre's grandest awards – the TS Eliot prize for poetry.
Four Poems by Hadfield:
Unfledging
In The Same Way
No Snow Fell On Eden
Melodeon On The Road Home
Related Links:
Hadfield's blog, rogueseeds
Hadfield selects her Top Five Musical Moments
(lifted en masse from uk.poetryinternationalweb.org)
Hadfield was born in Cheshire in 1978. She won an Eric Gregory Award in 2003 and was given a Scottish Arts Council Writer's Bursary in 2002 to help her complete her first collection Almanacs which was published by Bloodaxe in 2005. She used her Eric Gregory Award to fund a year's residence in Canada, where she has family, giving readings from Halifax to Vancouver. She continues to indulge her passion for getting words onto objects, and uses linocut, photography, woodwork, bookbinding and fly-tying in her artist books, which she calls “Rogue Seeds”.
Although an English writer, study, residence and travel in Scotland and Canada have been central to Hadfield's poetry thus far. Almanacs is a reassuringly different debut, hard to pin down, and with no signs of stepping in the prints of the previous generation. Kathleen Jamie has called her “a zestful poet of the road, a beat poet of the upper latitudes”, while Tom Leonard described “a quick mind abroad . . . a coquettish dance of nature’s primal forces . . . a whole and committed poet”.Hadfield is certainly a nature poet, but a dazzling, contemporary one and her work never suffers from the shallow philosophizing or haughty self-reflection which undermines much poetry centred on landscape and travel. Even when set in remote places, her work is infused with colloquial speech, cars, popular music, modern myth. How fabulous to discover such a responsive poet, excited by her surroundings, who so clearly delights in matching experience and language.
Jen Hadfield is an excellent performer of her poems and refreshingly hard-to-place on the contemporary British poetry map. In spirit, perhaps, she is closest to Edwin Morgan, the senior Scottish poet who has ranged across the whole of such a map with equal parts seriousness and levity. For a poet still in her mid-twenties, she offers not just promise, but a direction for other young writers to follow.
But Wait! There's More:
(a biographical update, care of The Guardian UK)
A relative newcomer to poetry who has been widely praised for her passion and awareness of the natural world has tonight won one of the genre's grandest awards – the TS Eliot prize for poetry.
Four Poems by Hadfield:
Unfledging
In The Same Way
No Snow Fell On Eden
Melodeon On The Road Home
Related Links:
Hadfield's blog, rogueseeds
Hadfield selects her Top Five Musical Moments
Book Review: The Woman Warrior
by Maxine Hong Kingston
Review by Wendell 'Scutopus' Edwards
Monday, January 12, 2009
WTF?!
Egad.
What were they thinking?
Book News, In Brief
Senseless tragedies like the one pictured here can be avoided...but not if we can help it! Via Publisher's Weekly: A new government regulation that requires testing of all products aimed at children 12 and under is causing headaches for publishers, booksellers and manufacturers. Books, audiobooks and sidelines fall under the Consumer Product Safety Improvement Act, which is set to go into effect Feb. 10; industry organizations are attempting to get books excluded from the Act.