Wednesday, June 6, 2007

Summer Reading For Students: What's The Point?

NPR's John Kelly tries to find A Cure for Kids' Summer Reading Doldrums in an archived piece from 2005. He addresses what seems like an obvious question, but one that most parents and kids would be hard pressed to answer themselves: Why are specific, mandatory books a good idea?

"A summer book is a way to engender solidarity among students, to create a shared experience. Too often the media that kids talk about -- deconstruct, analyze, argue over -- aren't books, but TV shows, movies or video games. A required book is one way to focus the spotlight on something more positive, more -- dare we say it? -- educational.

"You've got a frame of reference that's universal within that classroom," says Judy Fickes Shapiro, a children’s author and bookstore owner in Ventura, Calif. "When you're creating community in the classroom, you've got to start with something common."


*One question for the author, though: Did you really think that your seventh grade daughter was actually going to enjoy Tom Brokaw's The Greatest Generation?!

The Arguments For And Against Summer Reading Lists (Given At The Same Time, By The Same Person)

In the New York Times, Joe Queenan rants about the ridiculousness of some of the books that schools pick for their summer reading lists, while begrudgingly admitting that as boring and outdated as many of the choices may be, in the long run, the system works. An excerpt:
"For as long as anyone can remember, well-meaning pedagogues have been sabotaging summer vacations by forcing high schoolers to read Lord of the Flies, All the King’s Men and A Separate Peace. These books may be the cornerstones of our civilization, but they’re certainly no fun. One reason the average American male reads only one book a year may be the emotional trauma suffered in trying to hack his way through Wuthering Heights at the age of 14.
I’m not saying it is necessarily a bad thing that schools require students to read books during the summer: culture, like vitamins, works best when imposed rather than selected. I am simply recording my amazement that in an age when urban high schools use weapons detectors to check for handguns, educators still make kids read The Red Badge of Courage."

Summer Reading Related: A Look-At-Me Blog That Won't Cause You To Look Away

Everyone is supposed to remember the song that was playing when they lost their virginity, but how many of us can claim to recall the book that we were reading the week it happened? David Elzey probably does. Over on his blog, The Excelsior File, he has posted a series of articles detailing the summers of his youth using only the books that he was reading at the time. Fun in both a nostalgic and voyeuristic way, the posts are also a remarkable testament to how literature of all types -- humor, non-fiction, trash, short stories -- reflects and reshapes our lives.

Tuesday, June 5, 2007

Hollywood Wants The Literary World's Respect, But The Literary World Wants Hollywood's Access To 'Petite Blondes'

New York City's BookExpo took a cue from Hollywood this past week, offering writers a generous three minutes to 'pitch' their work. The publishing world traded in the comfy, leather, Masterpiece Theatre reading chair of old for something closer to the figurative casting couch, turning what was once a thoughtful meeting of literary minds into what one editor described as "a bit like speed dating." So what sort of writer/writing rises to the top in such a scenario?

From the Reuters article:
"One of those attracting the most interest from the agents was (Kiki Freebery), a petite 15-year-old blond schoolgirl pitching what she called 'a survival kit for kids turning into teenagers.' Kiki came along with her mother, a criminal defense attorney who was pitching her own legal thrillers. Kiki hasn't written the book yet, or even a full-length proposal, but she said, 'I met four people, all of them said they want to see my proposal.'"

Totally rad!

Do Novelists Make Good Critics?

Yesterday we posted a link to the NYTimes' article, Read Any Good Books Lately?, which featured a bunch of well-known writers talking about the...well, good books that they'd read lately. In the accompanying post, I poked a bit of fun at the idea that a celebrity's recommendation should be taken any more seriously than a friend's or family member's. The Guardian UK took such teasing one step further, blogging an entire piece questioning the literary criticism of Martin Amis and Ian McEwan, while praising the 'playful analysis of all novels' by Milan Kundera in his recently translated, seven-part essay, The Curtain. The barrage of comments that follow are as biting and illuminating as the piece itself, if not more so.

Monday, June 4, 2007

Charles Darwin in the Age of Paris Hilton: Celebrities' Opinons Trump Normal People's Every Time

You've got friends, family and bookstore employees, but when you want a really reliable reading recommendation, isn't always best to ask a famous person? The New York Times asks Stephen King, Dave Eggers, Ursula K. Le Guin, Jonathan Safran Foer and a handful of other literary luminaries, Read Any Good Books Lately?

Want To Know Why Most Kids Hate Mythology? Goya's Painting Of Saturn Provides Somes Clues

The Los Angeles Times recommends Rick Riordan's Percy Jackson and the Olympians series to folks hoping to interest their children in Greek mythology. The series, which takes place in the modern day USA, features a 'half-blood' son of Poseidon slowly learning of his heritage and struggling with the ensuing problems that come along with it. It also takes a unique approach in the audience it hopes to reach. Apparently, Riordan's not targeting the typical 'pointy-headed super-students,' but instead, those who have trouble reading. "Percy himself is dyslexic and has ADHD. It turns out that many half-bloods have trouble in school, the explanation being that their brains are hard-wired for ancient Greek skills." The Times then goes on to liken the series to something called 'Harry Potter,' which is apparently a good thing.

(Moms and dads having a tough time turning their young ones onto the gods and goddesses of yore can take some solace in the fact that disobedience to one's parents is a recurring theme in every culture's mythology. That's right, your rebellious little brats truly are gifts from the gods!)

Saturday, June 2, 2007

Weekend Links

The BEA -- Book Expo America -- takes place this week in New York City. For those of you not lucky enough to find yourself in the humid confines of the Big Apple hustling your thinly veiled memoirs to uninterested agents, publishers and booksellers, BookExpoCast is posting podcasts (audio interviews) featuring some of the authors and media mavens who will be attending. A few of the folks included are...

Khaled Hosseini, author of the best-selling The Kite Runner as well as the new book A Thousand Splendid Suns. In this podcast, he discusses the pressure to follow-up a successful debut novel, as well as the excitement leading up to his first BEA.

Chris Anderson,the editor-in-chief of WIRED and the author of The Long Tail. In this podcast, Anderson gives a preview of the two sessions he’ll be involved with at BEA. “Giving it Away: Free Lunch or Unrealized Opportunity” addresses the pros and cons of supplementing the sale of a book with free content. During “Upfront & Unscripted: Ken Lombard, President, Starbucks Entertainment,” Anderson and Lombard will discuss how the innovative coffee seller has moved into the realm of book and music retail.

Alice Sebold, best-selling author of Lucky and The Lovely Bones. In this podcast, she discusses her new book, The Almost Moon.


Still in a New York state of mind? Don DeLillo's new 9-11 novel, Falling Man, is positively reviewed in the New York Times, as well as the Guardian UK. To read the first chapter yourself, click here.


via Wired:
On the other side of the country, the San Francisco Asian Art Museum opens its exhibit, Tezuka: Marvel of Manga, this weekend. The exhibit "features more than 200 of Tezuka's original drawings, as well as a manga lounge for browsing shelves of cartoons, photos of cosplay events (where participants dress as their favorite characters) and musical performances of popular anime and video game music." This article by Lisa Katayama delves briefly into the genius of Osamu Tezuka, the "quirky intellectual who had a near photographic memory, a medical degree and an obsession with classic Disney movies" who, through the mediums of comics and cartoons, "explored profound themes that were often way ahead of their time -- pacifism, civil rights, man versus machine, artificial intelligence and urban high-rise architecture." All this, and he created Astro Boy, too!

Friday, June 1, 2007

Lies, Damned Lies, and ...

While I was browsing around looking for some statistics on per capita book sales by state, I discovered Para Publishing (click here for all the statistics), which features a fun accumulation of book related statistics.
Here are a few listed below:

Only 32% of the U.S. population has ever been in a bookstore.
--David Godine, Publisher

58% of the US adult population never reads another book after high school.
42% of college graduates never read another book.
80% of US families did not buy or read a book last year.
70% of US adults have not been in a bookstore in the last five years.
57% of new books are not read to completion.
--Jerrold Jenkins

Women buy 68% of all books.
--Lou Aronica

81% of the population feels they have a book inside them
6 million have written a manuscript.
6 million manuscripts are making the rounds.
Out of every 10,000 children's books, 3 get published
--Jerrold Jenkins

On the average, a book store browser spends eight seconds looking at the front cover and 15 seconds looking at the back cover.

Book Purchases by Store Type:
24.6% Large chain stores
17.7% Book Clubs
15.2% Smaller chains and independent stores.
5.4% Internet such as Amazon.com

59% of the customers plan to purchase a specific book when entering a bookstore.
--Book Industry Study Group.

A successful fiction book sells 5,000 copies.
A successful nonfiction book sells 7,500 copies.
--Authors Guild

Thursday, May 31, 2007

The Library Thing - You Are What You Read

Karen, a member of my book club, was recently enthusing about The Library Thing. Anyone who loves books, and feels a measure of pride when they look at their own collection of books will immediately adore the usefulness of this online catalog of your personal library.

"LibraryThing appears poised to turn the cataloging of books into a form of communal recreation."
- Christian Science Monitor

What exactly is The Library Thing and how much does it cost?
"Library Thing is an online service to help people catalog their books easily. You can access your catalog from anywhere—even on your mobile phone. Because everyone catalogs together, LibraryThing also connects people with the same books, comes up with suggestions for what to read next, and so forth. A free account allows you to catalog up to 200 books. A paid account allows you to catalog any number of books. Paid personal accounts cost $10 for a year or $25 for a lifetime."

There are additional features to the program. It's cool to use the book suggester/unsuggester. You simply enter a book title, and up pops a screen of how many people also have that book in their library, what other similar titles they own, books with similar tags, and additional reading suggestions. It's addictive!

Wednesday, May 30, 2007

Choosing the Correct Gang Color for your Writers' Group (and other tips)

Before Inkwell Michelle would let me post on her blog, she, um...strongly suggested...that I join a writers' group in an effort to make my spellin's more better. As a staunch advocate of Groucho Marx's old axiom about 'not wanting to be a part of any group that would have me as a member,' it was, needless to say, the first time I'd ever attended such a soiree. So's not to appear unprepared, I brought an old Smith Corona typewriter, some cigarettes, a green tinted visor and some cheap whiskey. Oh, and a story I'd written the night before about a psycho that joins a writers' group only to then kill each writer one by one in a manner reminiscent of the stories they'd read there (its title: Deadly Dull). Imagine my surprise when the group turned out to hate my ideas, the smoke from my smokes and the fact that the whiskey made me physically sick. It's not like their stories were much better. The young guys were all writing variations of Fight Club, only with more video game references, and the girls were all trying to blend their favorite episodes of Sex & The City with their one unsuccessful suicide attempt from their teens. Only the old people's stories were interesting. I had no idea that they were all so dirty-minded (or was I mentally making unintended metaphors of all of their innocent flowering garden and railroad worker short stories?).
Anyway, the point of today's post is to highlight a few websites that offer suggestions on how to better start and/or run a writers' group. There's another old axiom I'd like to toss out, the one that claims 'you can choose your friends, but not your family.' When running a writers' group, no such excuses are accepted. You are responsible for every choice made: the members, the setting, the style of critique offered, the way the discussion flows, etc, etc, etc. If this is the sort of thankless, profitless power you crave, then explore the links below:

The 6' Ferrets Writers' Group -- A good place to visit for anyone starting from scratch. They've broken their site down into bite sized portions: Starting A Group, Writing Exercises, Special Events and Suggested Reading.

Man Bytes Hollywood -- This guy has been running a writers' group for a while, and boils down the secrets to making it successful into three seemingly obvious, but clearly hard won tips.

Argh Ink -- The woman that runs this site had been a part of many disappointing writers' groups before finally starting her own. She opens her piece by discussing the pitfalls that many groups fall into (discussing anything and everything besides writing -- publishing, in particular) before outlining quite a long list of ideas for keeping your group on track without garnering resentment and/or villains crafted in your likeness.


Tuesday, May 29, 2007

Scientists Agree: Homework Sucks

Boing Boing's Cory Doctorow has posted a positive review of Sara Bennett and Nancy Kalish's 2006 book, The Case Against Homework. An excerpt:

"All the credible research on homework suggests that for younger kids, homework has no connection with positive learning outcomes, and for older kids, the benefits of homework level off sharply after the first couple assignments. Not that most teachers would know this -- homework theory and design isn't on the curriculum at most teachers' colleges, and most teachers surveyed report that they have never received any training on designing and assessing homework.

"The book is composed of equal measures of interviews with kids, parents and teachers; hard research numbers from respected institutions; and strategies for convincing your kids' teachers to ease back on homework. One thing the authors keep coming back to is the way that excessive homework eats into kids' playtime and family time, stressing them out, contributing to sedentary obesity, and depriving them of a childhood's measure of doing nothing, daydreaming and thinking. They quote ten-year-olds like Sophia from Brooklyn, saying things like 'I have to rush, rush, rush, rush, rush, rush through my day, actually through my seven days, and that's seven days wasted in my life.'"

While we at the Inkwell Bookstore in no way believe that this applies to summer reading assignments, we do feel such arguments negate the need for most other forms of after-school schooling. Our younger readers may post their letters of praise and thanks in the comments section below.

Your School's Commencement Speech Will Surely Pale In Comparison


To read David Foster Wallace's (Infinite Jest, A Supposedly Fun Thing I'll Never Do Again) fond farewell to the kids at Kenyon University click here. Your valedictorian's Robert Frost references will seem rather run-of-the-mill in retrospect.

Monday, May 28, 2007

You've Only Twenty-Four Hours Of Vacation Left. Stay Lazy 'Til The Last.

Today's Inkwell Bookstore blog post is a movie recommendation, but for a film that basks in its love of literature: A Love Song for Bobby Long. Reprinted below is Roger Ebert's original review of the film:

There is a lazy, seductive appeal to the lives of the two boozers in "A Love Song for Bobby Long." The notion of moving to New Orleans and drinking yourself to death is the sort of escape plan only an alcoholic could come up with, involving the principle of surrender to the enemy. If you are a writer and a failed English professor like Bobby Long, you can even wrap yourself in the legend of other literary drunks. It's all wonderfully romantic, especially in the movies, where a little groaning in the morning replaces nausea, headaches, killer hangovers and panic attacks. A realistic portrait of suicidal drinking would contain more terror and confusion, but never mind. "Leaving Las Vegas" did that, and this is a different movie.

Bobby Long is played by John Travolta like a living demonstration of one of those artist's conceptions of what Elvis would look like at 70. White-haired, unshaven, probably smelly, he lives on Magazine Street with a former student named Lawson Pines (Gabriel Macht), who thinks he is a genius. Years ago, Bobby was a legend on campus, Lawson's charismatic mentor. Then something happened, which we are pretty sure we will find out about, and here he is without wife or family, living on the sofa surrounded by piles of books. He and Lawson spend a lot of time quoting literature to each other. Ben Franklin, Charles Dickens, the usual 20th century gods. This is entertaining all by itself, apart from the good it does for the characters. It reminded me of Alan Bennett's new play "The History Boys," in which memorizing literary quotations is recommended as a means of fertilizing the mind. Bobby and Lawson are well fertilized, but too disorganized to plant anything; an unfinished novel and a would-be memoir languish in the shadows. In "Sideways," when Miles (Paul Giamatti) says he can't commit suicide because he has a responsibility to his unpublished novel, his buddy Jack (Thomas Hayden Church) helpfully points out that the New Orleans legend John Kennedy Toole killed himself before A Confederacy of Dunces was published. So there is a precedent. Bobby and Lawson seem prepared to keep on drinking and quoting and smoking forever, when a sudden change occurs in their lives. Their housemate, a jazz singer named Lorraine, has died. Now her daughter Pursy (Scarlett Johansson) materializes, too late for the funeral. Pursy is a discontented and suspicious 18-year-old, who will soon prove to be the most mature member of the household. The boys tell Pursy her mother left her a third of the house, which is sort of true; actually, her mother left Pursy all of the house, but information like that could only confuse Pursy about the right of Bobby and Lawson to continue living there forever. Pursy moves in, creating a form of family in which she is both the child and the adult, and Bobby and Lawson drift in between. At one point Lawson's halfway girlfriend Georgianna (Deborah Kara Unger) asks, "They know you're not going to school?" Pursy: "Yeah, it ranks right up there with being out of vodka and cigarettes." The revelations in "A Love Song for Bobby Long" are not too hard to spot coming. There are only a few fictional developments that seem possible, and it turns out that they are. The movie is not about plot anyway, but about characters and a way of living. Pursy acts as a catalyst to create moments of truth and revelation, and those in turn help Bobby find a limited kind of peace with his past, and Lawson to find a tentative hope in his own possible future. What can be said is that the three actors inhabit this material with ease and gratitude: It is good to act on a simmer sometimes, instead of at a fast boil. It's unusual to find an American movie that takes its time. It's remarkable to listen to dialogue that assumes the audience is well-read. It is refreshing to hear literate conversation. These are modest pleasures, but real enough. The movie tries for tragedy and reaches only pathos, but then Bobby lost his chance to be a tragic hero by living this long in the first place. Travolta has an innate likability quotient that works with characters like this; you can sense why a student would follow him to New Orleans and join him in foggy melancholy. There doesn't have to be a scene explaining that. You can also sense how Pursy would change things, just by acting as a witness. Alcoholics get uncomfortable when they're surrounded by people with insights. They like to control the times and conditions of their performances, and don't want an audience to wander backstage. Just by seeing them, Pursy forces them to see themselves. Once they do that, something has to give.

One more thing: A Love Song for Bobby Long was filmed almost entirely in the French Quarter and lower precincts of New Orleans less than two years before Hurricane Katrina would sweep through the area, changing it irrevocably. This film serves as a lasting document of the buildings, streets, foliage and, most importantly, the people that once made up the historic (and never to be recreated) area.

Sunday, May 27, 2007

Running A Book Club - What To Do When Everyone Hates The Book, And It's Your Fault

I've been running a book club for 9 years. In the early days, I would get nervous and prepare pages of notes, research backround information about the author, and collect book reviews. Now, the group is so comfortable that we just show up and let the conversation roll.

We've had temporary members who show up for a meeting or two, but then disappear. We wonder idly about those drifting souls, where are they now? At the Inkwell, many people express interest in joining one of our book clubs, they even purchase the next book, but then don't show up for the meeting. What isn't factored in is the truth that a book club is a commitment. Reading a book a month shouldn't be so hard, but it's like a homework assignment. You'll find yourself reading everything under the sun, except the book club selection. (A brief apology is due to Cristin who has been running the Uncommon Caliber book club - I've yet to complete the reading for the club meetings!)

When I started our club, of course I found reading material for suggestions and tips on how to run a successful club. The Inkwell has books on how to run a club, analyze literature, lists of good reading choices, and journals for recording your thoughts about the books. I recommend The Book Club Companion by Diany Loevy, The Reading Group Handbook by Rachel Jacobsohn, and How to Read Literature Like a Professor by Thomas C. Foster.

There is support in the aforementioned books about how to handle the dreaded moment when the entire club revolts against a book. It does happen, and if the blame rests on your shoulders for selecting the book, don't take the abuse personally! Remember, they hate the book, not you. Just make sure that you pick a crowd-pleaser next time!

Saturday, May 26, 2007

Weekend Links: The Not For @#%!'n Kids Edition

via boing boing:
SomethingAwful.com holds a weekly Photoshop. This week's theme -- 'Children's book covers made demented.' All of the entries are twisted and obscene, and the best part is, half of these books would actually sell to adults!

via Nelson Guirado.com:
What's the Al Qaeda book club reading this month? American forces reportedly found this illustrated 'how-to torture' manual in a terrorist safehouse in Iraq.

via popmatters.com:
The perfect book for all those moms whose body piercings got in the way of their breastfeeding.

Friday, May 25, 2007

Book Review: Grant Morrison's New X-Men Omnibus

I just finished reading Marvel Comics' enormous hardcover collection of Grant Morrison's Eisner Award winning run on the New X-Men. It was the most refreshing, subversive and inspired comic series I've read since Alan Moore's Promethea. Morrison has long been regarded as a master of new concepts and creative spins on old ideas, and he did not disappoint in either of these regards here. The foundation plots involve (1) a gene found that will wipe out the human race in 3 or 4 generations, leaving only the mutants, (2) the genocidal destruction of the majority of the mutants on Earth (including Magneto), and (3) the students at the X-Men academy's growing dissatisfaction with the two rather black and white choices offered the average mutant when it comes to their assimilation with humans (i.e. Professor X's Martin Luther King stance vs. Magneto's pre-Mecca Malcolm X). Some of the more substantial sub-plots are Cyclops and Jean Grey's re-assessment of their relationship, one-time villain Emma Frost taking up a teaching post at the academy, a second stage of mutation being experienced by select mutants, a zen-master mutant with healing powers and a star for a head, and a growing cult of U-Men (humans who surgically modify themselves with stolen mutant body parts so that they, too, can have superpowers).
Up 'til about the halfway mark, I was enjoying it simply as a much-better-than-average superhero book, but I knew that I still hadn't cracked the underlying lesson, the secret parable, what Morrison has referred to as the "inoculation of ideas" that he is trying to deliver in his comics work. So I went back to the beginning of the mammoth volume and started skipping through the pages, reading random word bubbles here and there, until it finally hit me. This book, like mutation itself, is about evolution. Not just the aforementioned 'second evolution' that changes the appearance of the Beast from a pointy-haired monster into a more feline Beauty & the Beast creature, but the evolution of the X-Men comics themselves -- and superhero comics in general.
If the way I read it was correct, Morrison appears to have devoted his entire 42 issue run on the series to questioning its relevancy, trying to put an end to the artistically repetitive rut it had fallen into, and steering it in a completely new and previously unimagined direction. (This comic book crusade must have seemed all the more gutsy and blasphemous at the time, as the X-Men comics were still the best selling comic books in America week to week!) To spur on the book's own evolution, Morrison re-introduced many of the series' more tired and/or far-fetched tropes (Professor X's intergalactic love affair, Magneto's grandiose plans to rid the Earth of humans, Wolverine's endless quest to find out his past), bringing them to their logical conclusions and thereby creating a clean slate for future writers of the series. He also took many of the one-dimensional characters and, by adding a bit of a dichotomy to their personalities, made them much more complex -- again, giving future writers any number of new themes that they might tackle should they so desire. For example, by having the Cyclops character begin to question his role as leader of the X-Men and his love for Jean Grey, Morrison has created a new cipher for thoughts on personal, romantic and group responsibility. By tossing former nemesis Emma Frost into the X-Men, issues of trust and questions as to a person's ability to truly change can now be more readily played around with. The most direct calls for the comic's continued evolution, though, come in the way that Morrison writes Wolverine's origin, the rise of the U-Men, the '150 years in the future' flashforward, and Xavier's admission that humankind will never feel safe around mutants so long as mutants insist on fighting endlessly with one another. These are used not just as plot points, but also as a subtle 'ahem' to the publishers of the series, its future writers and its current readers. Morrison seems to be saying that if you want your X-Men comics to be about more than just guys in funny costumes with funny names fighting needless battles with one another, you've gotta change your scope of expectations, expand the ideas that you allow into the stories, and update the metaphors at least as often as the costumes. In short, evolve.

(I plan to reread the New X-Men omnibus in a month or so. If anyone has tips as to ideas, themes, etc. that I might want to look out for on my second go-round, please drop me a note in the comments section.)

Update: The Gardner Linn Fanclub has a thorough and amazing analysis of the series. It's well worth neglecting a little more of your 'real' work to take the time to read.

For a nice, long interview with Grant Morrison, click here. You'll be re-routed to Popthought.com.

Thursday, May 24, 2007

Definition of the Deckle Edge

Big Bad Book Blog has an interesting post about the uneven, zigzag edges on certain books. She did a little investigating, and "discovered that (the) rough, untrimmed page edges are called deckle edges or just simply rough trimmed."
She also found out this little bit o' history:
"A deckle is a wood frame resting on or hinged to the edges of the mold that defines the edges of the sheet in handmade paper process. According to history.com, the rough edges are created by the fibrous pulp flowing between the frame and the deckle of the mold. When books were predominantly composed of handmade paper, deckle edges were considered a defect and were trimmed off. In the late 1800s, however, rough trimmed pages became fashionable. During this time, many books were left untrimmed on one or three sides for purely aesthetic reasons."
Is it only a matter of time before the E-books try and replicate this, as well?

Wednesday, May 23, 2007

It's The End Of E-Books As We Know Them! (Oh, Wait...You Weren't Aware Of Them Yet? Nevermind, Then. Skip To The Next Post)

Walk into almost any bookstore around the world and bring up the subject of E-books -- handheld digital devices that you can download complete books into for unlimited perusal -- and you're sure to get a promotional bookmark slashed lengthwise across your neck. While there are a million and one reasons why we refuse to believe that E-books will ever truly take off with the public ('people want to feel the sensation of turning the pages' is a tried and true stand-by), there is really only one reason we do not want them to: it threatens our livelihoods. With online bookstores already pounding nail after nail into the coffins of traditional brick & mortar shops, this new-fangled machinery only looks to make things worse.
That said, the damn things fascinate me in a morbid, know-in-advance-how-you're-going-to-eventually-die sort of way. I mean, it would be undoubtedly cool to have a library of your favorite books all in one small device, in much the same way that the ipod serves as a personal, portable juke-box (shout outs to all the struggling indie record stores -- we feel your pain, brothers!). Ah, but at what cost? I already step over the sleeping bodies of far too many former booksellers on the way to work every morning. One has to wonder, do the mad scientists behind these cold, unfeeling digital book machines have any moral code that they answer to?
Antonio Tombolini, an Italian internet entrepreneur, recently focused his evil genius on perfecting E-books. In an interview with Master New Media, he discusses the problems with previous attempts, as well as the advances he has been making in what he sinisterly calls, "reading devices." Booksellers can take some small solace in the fact that Tombolini wears what looks to be an orange, state prison jumpsuit in the video interview portions. If we're lucky, he won't be able to enact his plan for bookstore domination until his sentence is complete.

One Goes Through An Awful Lot Of Airsickness Bags In 25 Years Of Travel Writing

2007 marks The Rough Guide travel series' 25th year in publishing. To commemorate the occasion, they're offering one lucky winner a complete collection of the Rough Guide reprints. To win, all you need to do is leave a comment on the Gadling Travel Blog's website, and their 'magical system will automatically select a single random winner.'
While you're over there shamelessly begging for handouts, make sure to read the accompanying interview with Rough Guide founder, Mark Ellingham. He comes off as a nice, smart guy (but his library, pictured to the left, could use a little bit more variety).

Tuesday, May 22, 2007

Tintin Creator Hergé Born 100 Years Ago Today. Happy Birthday, Mssr!



Generically Titled Entry Featuring Nothing But Randomly Assorted Links

Oprah's dad is writing a tell-all book. I'm hoping that James Frey offers to co-author it.

Simon & Schuster to use 'American Idol-like' voting system to help choose what books they're going to publish. My opening chapter is going to be all about Celine Dion, my mom that died of something tragic, my little sister -- whom I adore, and my sorority. Go, Alpha Betas! Woo-hoo!

Japan to hand out 'Nobel Prize of manga' this summer. Expect a gold statuette with reeeaaally big eyes.

Monday, May 21, 2007

My Editor Used To Say That She Wished She Could Take A Pair Of Scissors To My Work. Could This Have Been What She Was Referring To?

From Boing Boing, via IZ Reloaded:

"Minnesota photographer Thomas Allen cuts illustrations from the covers and interior pages of pulp novels and kids' books, turns them into 3D scenes and photographs them. As a director would stage actors, Allen stages his cut-outs in ways that create humor, tension, mystery, and drama. A boxer fights his own shadow in Spar, and in Bookend a gunfighter stands over his recently fallen opponent. Although the characters are freed from the closed pages of books, the books themselves still remain present in each photograph. A ship sails across the curved pages of a dictionary-sized book in Swell. In Cover, a gunman finds safety behind the spine of a book, and in Recover, a worn paperback acts as a life raft to three weathered shipwreck survivors."

The mind reels at what this guy could accomplish with my older brother's collection of girlie magazines...

To check out a cool slideshow of some more of Allen's work, click here.

Sunday, May 20, 2007

A Review Just for You: Coelho's "Witch of Portobello"

The Witch of Portobello marks a great stylistic departure from The Alchemist. I was pleasantly surprised to observe Coelho's authorial skill and flexibility. The language and format of Witch of Portobello is more sophisticated and therefore left no doubt in my mind as to the deliberate, almost childlike simplicity of The Alchemist.

Coelho is obviously interested in presenting his readership with themes involving the pursuit of dreams, spirituality, contentment, etc. He examines such ideas by featuring main characters who actively seek the aforementioned themes, often showing his characters struggle and fight the vast majority's opposition and condemnation.

Witch of Portobello is a novel written in documentary format and features a magnetic, enigmatic, unconventional protagonist named Athena. Athena's character is unveiled through a series of intriguing interviews* featuring her acquaintances, family, friends and lovers. Certain aspects of the interviews may seem difficult to rationalize or accept, as the dialogue frequently teeters on the edge of unbelievable.

The above is all very indicative of Coelho's work. In order to enjoy and appreciate it, you've just got to --as my favorite English teacher often said-- "willingly suspend your disbelief." If you can't muster up the effort to do so, Coelho's work probably isn't for you.

Coelho's passionate dedication to propagating the message "follow your dreams" is what makes him so interesting. I don't mean to sound like some kind of book evangelist. That sort of thing really irritates me, so I hope this review isn't having that effect...However, I believe "there's a hat for every head" and if you find a way to extract all of the hype surrounding Coelho and his work, reading only for yourself, then you might find something entertaining and valuable within his simple, compassionate message.

The Witch of Portobello was just released on May 15th, so stop in and see if we have any left in stock! I'm sure Alchemist fans will love Coelho's latest tribute to freedom of the human spirit. If you've read anything by Coelho and have any opinions about his work whatsoever, feel free to comment up a storm. Either that, or stop by the Inkwell and chat up a storm. I'm expecting some kind of storm here, folks. Don't disappoint me!

*Readers who enjoy novels featuring a variety of voices and perspectives might also enjoy Getting Mother's Body by Susan-Lori Parks and My Name is Red, by Pulitzer prize winning author, Orhan Pamuk...(not to mention nearly everything by William Faulkner).

Saturday, May 19, 2007

Just When You Thought Big Business Was On The Side Of The Little Guy...

I sometimes wonder why blogs post links to articles like this, warning unpublished authors what to be wary of should Simon & Schuster come calling. Let's be realistic, the only thing unpublished writers really need to be concerned with on that dream-a-little-dream day when S&S comes after their mildewing manuscript is that they don't accidentally stomp the dog/baby/roomba while they run to the door to sign their lives away.
Yes, what Simon & Schuster is attempting to do -- 1.retain control of books even after they have gone out of print, 2.consider a book in print, and under its exclusive control, so long as it's available in any form, including through its own in-house database -- even if no copies are available to be ordered by traditional bookstores, 3.be able stop printing a book and prevent the author from publishing it with any other house -- bears all the ugly hallmarks of corporate greed, but guess what? They're a corporate enterprise! If you want to avoid the evils of big business, avoid big business.You don't send Disney your ideas for an updated Mickey Mouse (five fingers and a post-pubescent voice!) and expect a fair shake, do you? Beggars can be choosers. The alternate phrasing of this cliche was birthed in a boardroom.

Daniel Gilbert's Hints To Finding Happiness (For Answers You'll Have To Buy His Book)

Earlier this week, Daniel Gilbert was awarded some sort of cash-heavy statuette for his book, Stumbling on Happiness. In this video interview, the author speaks to nobel laureate Harold Varmus about the science and philosophy behind turning a frown upside down.



(Interview appears roughly halfway through the program. First up is a brief chat with Robert Altman and Garrison Keillor.)

Friday, May 18, 2007

When The Inkwell Talks, Oprah Listens

It's being rumorously reported on the infallible internet that Oprah's next book club pick will be Michael Chabon's The Amazing Adventures of Kavalier & Clay. Now, I know a lot of folks assume that this choice was strongly influenced by the novel having won the Pulitzer Prize and its almost universal critical acclaim, but I ain't buying it. The timing is just a little too convenient to be coincidental, as these links will verify. (Go on, check 'em out. We'll still be here when you return.)

You see what we're talking about?

No, not the recent release of Chabon's new novel. We're referring to the fact that the Inkwell blog just dedicated a whole day's posts to promoting The Yiddish Policemen's Union and the curly-locked dreamboat who wrote it. Yeah, it seemed a little fishy to us, too, so we made a couple of calls to find out the gossip behind the gossip. Our first call was to Harpo Productions, Oprah's multi-million dollar company. Identifying ourselves as her beau, Steadman, we were rudely brushed off by an underling. On our second attempt, we deepened our voice and claimed to be Gayle King, Oprah's best friend and personal 'Johnny Drama.' This time our call was immediately forwarded to the Big O herself, who, after laughing with us about having just avoided a call from 'clingy Steadman,' confirmed that it was indeed the Inkwell's blog that was the tipping point in selecting her newest book club choice. She said that if it wasn't for those three posts, she would've probably chosen Chuck Palahniuck's new novel, Rant, and held her book club at some crappy cold cereal cafe in Park Slope with Sarah Vowell and the girl from Gawker.com as her guest co-hosts. Close call, no? Forward all letters of thanks to the comments section below.

Initial tip via: The Comics Reporter

Thursday, May 17, 2007

Had He Lost, His Next Book Could've Been About Sadness

Besides the Oscars, there's only one other awards ceremony I'll religiously tune in to in hopes of seeing someone's naughty bits through their see-through gowns -- the annual Royal Society For Science Books gala. Not only is there all of the usual cattiness and back-biting one normally associates with competition, there are people seriously discussing hovercars on the red carpet, too! Last night's festivities went off with minimal fire damage and public indecency arrests, and after much drunken speechifying, the grand prize (and appr. $20,000 in cash) was awarded to Daniel Gilbert's Stumbling on Happiness.

From the BBC report:

Discussing the winner, Professor Colin Pillinger said: "Daniel Gilbert's voice provides a witty companion throughout this exploration of the science behind the pursuit of happiness. He uses cognitive science and psychology to provide intriguing insights into human nature, helping us to understand why we make the decisions we do."

Gilbert himself was thrilled to take the book prize. "I'm absolutely delighted to receive this tremendous honour from the world's oldest learned society," said the Harvard University psychology professor. There are very few countries (including my own - the US) where a somewhat cheeky book about happiness could win a science prize - but the British invented intellectual humour and have always understood that enlightenment and entertainment are natural friends. So God bless the empire!"

Easy, tiger. You already won. Oh, that's right -- happiness is your shtick, innit?


Poetry Contest Scandal Rocks Japan! Toilet Themed Haiku Robbed Of First Place Prize!

via: Guardian UK:


Heated toilet seats, pension worries, nagging wives and neglected children were among the most popular themes among this year's offerings of "senryu", haiku-like verse that take a sideways look at the fears and foibles of the put-upon Japanese white-collar worker, or salaryman.

The Dai-ichi life insurance firm, which has run an annual salaryman senryu contest for the past 20 years, today awarded first prize to a verse that alluded to Japan's collective fear of growing old with a reference to the popular Nintendo brain training games:

Nou nenrei
Nenkin sudeni
Moraemasu


Or, roughly translated: My brain age is already old enough for a pension.

The second-place entry was a tribute to the ubiquitous "washlet" lavatory, tinged with a melancholy only a salaryman can know: The only warmth in my life is the toilet seat.

Third prize went to a bitter commentary on Japanese society's relative affections for middle-aged men and pets. Referring to the widely televised rescue of a stranded dog last November, it laments: How good it is to be a dog: even when trapped on a cliff, someone saves you.

The contest is open to all, although most of the entries are either written by salarymen themselves, or by others who draw on demanding bosses, distant families and money worries for inspiration.

To read the whole article, click here.

Speaking of Award Winners, Here's a Shoe-In for Next Year's Top Honors


Disappointed by the fact that they had to finally bury her body and could no longer parade it around for photo-ops and beyond the grave interviews, the folks who brought you the paternity case of the 2007 now bring you the book of 2008. Bookstores can expect it to be delivered by four horsemen dressed in apocalypticly themed attire.

Wednesday, May 16, 2007

Our thoughts on BEA - Because Everyone is Asking

"Are you going to BEA?" I'm sure every bookseller out there has been asked that question a dozen times. For those not in the business, BEA stands for Book Expo America. It is the second largest show devoted to books, after the Frankfurt Book Fair. 30,000 people in the business of publishing and selling books gather to network, party, promote, and connect during a long weekend in early June.

So are we attending? The short answer is no. The long answer includes varying reasons why not:

  • 1. We don't like to leave our store at the beginning of our busy tourist season.

  • 2. Because we rely on our visiting sales reps to show us the important books we may miss when reviewing the seasonal catalogs, we don't need to browse the enormous sales floor at the convention. So although walking the gauntlet of publishers is fun (who doesn't love the occasional free book offered up by those running the show tables?), it's not necessary.

  • 3. The cost of getting there, staying there, eating there, is prohibitive.

  • 4. I really hate getting up early!

  • 5. We are a smallish new store, and that makes us feel invisible (and slightly ridiculous) at such a huge event. Our regional trade show (NEIBA) fits us better.
Now the question no one asks, "Do you want to go?"
The obvious answer is yes, and here are our reasons:
  • 3. To meet kindred spirits who share their insights and travails with you is our third favorite part of trade shows.

  • 2. The educational programming provides us with tools and new ideas to bring back to our store.

  • 1. Celebrating the world of books and the incredible passion of everyone involved in this industry is a tonic which has the power to renew our flagging energy. Running a small business (and reading in general) is a solitary business.
So even if you aren't going, live BEA vicariously by checking out the blog by BEA director, Lance Fensterman, here.

Monday, May 14, 2007

In Hopes of Selling Lots of Copies of Michael Chabon's Newest Novel, 'The Yiddish Policemen's Union,' We're Going to Drown You in His Internet Hype

Reprinted in whole from Salon.com:

In an essay about the 1958 travel guide "Say It in Yiddish" in Civilization magazine, Michael Chabon contemplated a country where "I'd do well to have a copy of 'Say It in Yiddish' in my pocket." Of course, not only had Chabon not found such a place but, he pointed out, "I don't believe anyone has."

Chabon, it seems, couldn't get this phantom Yiddish-speaking nation out of his head, and now he's gone and created the place himself. Welcome to Sitka, Alaska, the setting for his new novel, "The Yiddish Policemen's Union," where the only "American" spoken is swear words. In this imaginary world without Israel, Sitka plays temporary home to Big Macher department stores, a thriving Chassid mafia, and some 3 million very cold Jews.

If less epic than "The Amazing Adventures of Kavalier and Clay," for which Chabon won the Pulitzer in 2001, "The Yiddish Policemen's Union" is no less ambitious. In addition to being a Chandleresque murder mystery, it deals with the Messiah, a secretive cabal not unlike the apocryphal Elders of Zion, Jewish-American relations and the perennial question of what it means to be a Jew. If all this sounds like too much, you may be right. But, as is the case in most of Chabon's novels, it is his characters, at once absurd and entirely familiar, that hold the story together. Here we have Meyer Landsman, a secular policeman with a bad case of the shakes, whose favorite daydream is to imagine the many ways he could take his own life; and his half-Indian partner Berko Shemets, a hammer-wielding gumshoe more devout than most of Sitka's Yids. "These are weird times to be a Jew" is the refrain of those in Sitka, and so, one feels, has it always been. Coming from Chabon, it is perhaps unsurprising that a fiction set in a fantastical place, told in a dying language, poses some of the most poignant, difficult questions about the Jewish homeland.

Salon caught up with Chabon in New York, a place he still fancies as "'Kavalier and Clay' land," where he spoke about why he likes being called anti-Semitic, what it's like being married to another writer, and why he's obsessed with Barack Obama.

For the full interview, click here.

You're Too Discerning to be Swayed by an Interview? How About Some Unbiased Reviews?

The New York Times seems to dig the new novel, praising his imaginative setting, characters, and metaphors (always the tipping point in a book's purchase, no?).

New York Magazine likes it, although they, too, feel that Chabon was "limited by the detective story’s familiar machinery."

The Boston Globe is a little less effusive, complaining that "too often Chabon's affections -- for the elegant enigmas of chess, for the modern tragedy of the Jews, for verbal acrobatics and literary shenanigans -- turn into a wild display of warring talents, compromising the structural integrity of the novel and turning its hair pin plot twists into a drive off a cliff." Keep in mind, though, that this 'structural integrity' complaint is made in a fifty-one word sentence.

The LA Times gives it a 'thumbs-up', saying that it is "a spiritual descendant of (Chabon's Pulitzer prize winning novel) Kavalier & Clay," and "a book that expands on the sensibility of the earlier novel and its roots in Jewish storytelling."

Still Undecided?

Let the author himself read you a chapter.
(appr. 25 minutes)

Saturday, May 12, 2007

Weekend Links

Listed below are a couple of book-centric blogs we recommend to anyone lazily browsing the web this weekend. Enjoy!

via: Cartoon Brew:
"Imagine if there was a New York Times Book Review that exclusively covered inspiring art and illustration books. Well, there is such a site and it’s called Book By Its Cover. The site has a broad focus, everything from children’s books to comics (to animation books) and hand-made books, and the selections are pure quality."

Authors On Tour Live offers podcast interviews with an impressive array of writers in both traditional download format and mp3. Their most recent interview is with Nick Bantock, author of Griffin & Sabine and Windflower. Also available are podcasts with Jim Lehrer, Les Claypool and Erik Larson.

And while we're recommending podcasts, Science Fiction fans will want to head over to Escape Pod, an impressive SF site that is currently running podcast readings of all of this year's Hugo Award nominees. (If this last tip is a bit too geeky for you to comprehend, ask Inkwell Michelle. She speaks a variety of nerd languages, including Klingon.)
The preceding tip was stolen from: Boing Boing

Use our comments section to let us know what literary sites/blogs you frequent. If you have any ideas for our weekly 'theme' days (authors, genres, etc.), feel free to write those in, too.
We'll see you bright and early Monday morning. Until then, read whatever -- just read.

Friday, May 11, 2007

Sex Sells, But Modern Readers Prefer Violence

The Guardian UK has a nice piece titled, How We Ditched Sex And Fell For Thrillers, about the decline of sex-centered fiction and the rise of crime novels. An excerpt:

"During the 1960s, a series of court decisions made it possible to publish just about anything. A burst of sex-centered novels followed. But about twenty years ago, many readers became sated with sexy novels. After all, sex is no longer the mystery it once was. And that's when the thriller entered the literary mainstream."

Then again, Freud would insist they're both the same thing, wouldn't he?

Lucille Clifton Wins 2007 Ruth Lilly Poetry Prize

Via: U.S. Newswire

"Poet Lucille Clifton is the winner of the 2007 Ruth Lilly Poetry Prize. Established in 1986 and presented annually by the Poetry Foundation, the award is one of the most prestigious given to American poets, and at $100,000 it is one of the nation's largest literary honors. Christian Wiman, editor of Poetry magazine and chair of the selection committee, made the announcement today. The prize will be presented at an evening ceremony at The Arts Club of Chicago on Wednesday, May 23.

In announcing the award, Wiman said: 'Lucille Clifton is a powerful presence and voice in American poetry. Her poems are at once outraged and tender, small and explosive, sassy and devout. She sounds like no one else, and her achievement looks larger with each passing year.'

Widely admired since Langston Hughes championed her work in an early anthology of African-American poetry, Clifton has become one of the most significant and beloved American poets of the past quarter century. She writes with great clarity and feeling about family, death, birth, civil rights, and religion, her moral intelligence struggling always to make sense of the lives and relationships to which she is connected, whether those of her immediate family, her African ancestry, or victims of war and prejudice."

For the entire press release, click here.
To read some of Lucille Clifton's poems online, click here.

Thursday, May 10, 2007

This Ain't A Library, Punk!

Are you one of those people who likes to read the first chapter or so of a book before buying it? Twenty-five dollars is a heck of a lot to pay for 400 pages of unknown quality, especially in today's economy. But maybe you feel a little awkward poking around your local bookstore, sampling books like they're cucumber sandwiches at your great-grandmother's cotillion. Perhaps you imagine that the staff is watching you (they are), judging you (depending on what book you're browsing, they might be), making a mental police sketch of you...just in case. Or it could be that you're just worried that you are unintentionally bending bindings, smudging pages or blocking the aisles. (My, you really are hard on yourself, aren't you?) That's what makes a website like ReadersRead.com such a wondrous creation. At ReadersRead.com they have a whole section devoted to book excerpts and first chapters -- over two hundred titles in all! You can read all you want in the comfort of your own home, then sneak out to your local mom & pop bookshop to purchase that which you have just privately perused. And if you happen to leave fingerprints and/or nostril steam-flares on your monitor while browsing, no one will know but you.

Wednesday, May 9, 2007

Save the Book Reviews!

There has been tons of press about the recent cuts newspapers across the nation have made to their book review sections. (More press about the disappearance than actual reviews?) Last week, we posted Michael Connelly's piece from the LA Times. The New York Times addressed the topic this past Wednesday, as did Publishers Weekly way back in Oct. 2006. Today on Salon.Com, David Kipen wrote, "Newspaper Web sites are only too happy to divulge the top 10 most read or e-mailed stories of the day; the bottom 10, not so much. Still, to judge by the torrential hemorrhaging of book coverage in just the past couple of months, you might think that book coverage owned a lock on last place. Instead, strong anecdotal evidence suggests that book reviews fall somewhere near the middle. So why don't editors feel as sentimental about them as they do about plenty of other stories that won't ever knock terrorist attacks or wardrobe malfunctions out of the top 10? For one thing, freelancers contribute most of the copy to newspaper book review sections, and freelancers cost a few extra bucks. For another, trying to publish a review of every halfway interesting new book each week is like trying to review every new video on YouTube. It's beyond hopeless. So why should we blame some harried arts editor for thinking, that beat's uncoverable. Let's just give up and run sudoku-plus instead."
We at the Inkwell have wondered about the lack of book coverage in our two local papers. When a book is mentioned, it tends to be by a local Cape author. Maybe the newspapers don't know the end result, but those reviews do drive sales. We immediately get requests for the featured books. Out of all the arts, books get the least coverage here on the Cape. Theatre, live music, and movies dominate the Arts & Entertainment section. Would it smack of rank marketing if we sent in some freelance reviews free of charge?

There's hope. Kipen says, "To its credit, the National Book Critics Circle is not taking any of this lying down. It has posted a list of tips on how to help save book reviews here. It's circulating a petition here to reinstate Teresa Weaver, the Atlanta Journal-Constitution's gifted, recently cashiered book editor. Most enjoyably, the NBCC's already compulsively readable blog, Critical Mass, has posted jeremiads about the crisis not just from critics but from a steadily massing murderers' row of authors: Nadine Gordimer, George Saunders, Richard Ford, Roxana Robinson, Andre Codrescu, Rick Moody, Stewart O'Nan."

Tuesday, May 8, 2007

As A Writer, You Really Ought To Be Writing, But As Long As You're Reading, You Might As Well Be Reading Something That Relates To Writing, Right?

Today's links are dedicated to the struggling writers. May the published among us die so that the unpublished might find agents.

Can Writing Be Taught?

You bought the books, you took the classes, you even side-stepped your trepidation and joined the local published author's creative writing group. Does any of this really help you span the chasm between a blank page and a completed novel? Or are some folks just born to write, while others are damned to only dream of doing so? The Atlantic.com has a nice bit about this titled, So You Want To Be A Writer. In it, they reference everything from Balzac to Emily Dickinson to Fortune Magazine, all in an effort to try and explain the necessary combination of natural talent and hard work vital to every accomplished piece of writing.

Cuz Buying One Of Those 'For Dummies' Books Saps The Self-Esteem Right Out Of You

New writers (or long-time writers still struggling to get someone to read/publish/become groupies of their work) would do well to check out Jordan Lapp's ongoing blog, How To Succeed As A Writer (without really trying). He's been posting quite a few interesting internet conspiracy theories that relate specifically to the fledgling author's path to glory. Among them: the flaws in Amazon.com's Reader Reviews, the pros and cons of Writing.com, what role audience perception plays in a writer's success, and how to properly promote one's own work online.

$300 Says Maybe You Should Try Drawing Instead

Lynne W. Scanlon -- publisher, editor, author and blogger about all things book related -- writes a blunt, sensible piece for unpublished writers who "wail about not being able to find a literary agent or get published or get readers to buy direct." Her advice? Pay a professional reader to assess your work. After all, you may simply suck. Better to find out now than after you've spent another three years writing a second novel, right?

Click this link to visit her blog and read the whole article. (Have no fear. She's actually much kinder and gentler than I'm making her out to be.)

Monday, May 7, 2007

Peer Pressure Via the NY Times

The New York Times, long known to the righteous as a bastion of devilish, liberal propaganda, this week took their assault on the values of God-fearing Americans one step further by devoting multiple articles to books featuring sin-drenched topics. Listed below are links to two of our favorites.

Against Moderation, a review of Barbara Holland's The Joy of Drinking
by Robert Harris

It’s odd the books people get asked to review. Take this one, a carefree history of our long love affair with drinking. I have no training as a historian, just some slight experience on both sides of bars. And perhaps an exaggerated reputation for disparaging today’s ubiquitous alcohol-free business lunches. Barbara Holland, though, might empathize. She reminds us that in 1787, two days before their work was done, the 55 delegates to the Constitutional Convention “adjourned to a tavern for some rest, and according to the bill they drank 54 bottles of Madeira, 60 bottles of claret, 8 of whiskey, 22 of port, 8 of hard cider and 7 bowls of punch so large that, it was said, ducks could swim around in them. Then they went back to work and finished founding the new Republic.” Note the 55 delegates and 54 bottles of Madeira. Which founder was slacking?

But “The Joy of Drinking” begins way before “our Revolution was born and raised in taverns.” It goes back some 10,000 years to when society, or what there was of it, went agricultural. Crops got planted and harvested, and some rotted and fermented, forming a liquid you could drink. The party began. Holland cites Faulkner as observing that civilization began with fermentation, and he’d have known.

Holland has a light, winsome touch and is always funny. Here she is on Winston Churchill making a martini: he “poured the gin into a pitcher and then nodded ritually at the bottle of vermouth across the room.” She tells us that even the National Institutes of Health admits that what it calls “alcohol readministration” alleviates the symptoms of both alcohol withdrawal and hangovers, and notes that “‘readministraton’ seems to mean hair of the dog.” She quotes the Puritan minister Increase Mather — “Drink is in itself a good Creature of God, and to be received with thankfulness, but the abuse of drink is from Satan, the wine is from God, but the Drunkard is from the Devil” — and declares his words “an early version of our incessant ‘moderation’ sermons, with only a pint or two dividing heaven from hell.”
Click here to read the full article.


Tobacco Road, a review of Allan M. Brandt's THE CIGARETTE CENTURY: The Rise, Fall, and Deadly Persistence of the Product That Defined America
By Jonathan Miles


It is a familiar exchange: I step up to the counter at a convenience store and order my daily ration of Camel cigarettes, which I have been smoking since the Reagan administration and, as it happens, am smoking as I type this. Sliding the pack across the counter, the clerk — female clerks, typically; male clerks are more laissez-faire — sighs and says to me, “You know you need to quit.” My response, well honed over the years, goes like this: “I know I should quit,” I say, “but there’s one problem. I enjoy it.” On rare occasions, the clerk startles and smiles — that’s how it played out this morning — as if tickled by this forbidden admission. Far more frequently, however, I find myself at the receiving end of a uniformly bemused, pitying and faintly disgusted stare. I cannot possibly mean what I have just uttered, the stare says to me. The victim cannot confess to the crime. The cash register rings its tinny ring as the clerk slides the drawer shut and sadly wags her head.
Allan M. Brandt’s “Cigarette Century,” a fat chronicle of the rise and fall of the cigarette in the 20th century, delivers that same truthful stare. Brandt, a professor of the history of medicine at Harvard Medical School, canvasses giant chunks of terrain here — the culture, science, politics, law and global spread of the cigarette, to cite just his section headings — without ever pausing to examine the central, vexing paradox of smoking: that in return for death, cigarettes give pleasure. Justifiable pleasure? Of course not. What Kant deemed “negative pleasure”? Perhaps. But pleasure nonetheless. Smokers, in Brandt’s view, are midwifed by an array of potent forces: ferocious tobacco advertising; peer pressure; cultural aesthetics (i.e., the imitable artfulness of Humphrey Bogart cupping a smoke); the addictive properties of nicotine; the tobacco industry’s pernicious campaign to obfuscate the perils of smoking; youthful longing for easy rebellion; and even, as evidenced by the boom in smoking after World War I, the scalding stress of trench warfare. But the cigarette itself, outside of its chemical components, gets scant credit. “One must not forget,” Jean Cocteau once wrote, “that the pack of cigarettes, the ceremony that extracts them, lights the lighter, and that strange cloud which penetrates us and which our nostrils puff, have with powerful charms seduced and conquered the world.” To be immune to those charms is naturally Brandt’s prerogative. To refuse or fail to acknowledge them in a history of the cigarette, however, is more problematic, and suggests the question: Is a cigarette sometimes just a cigarette? Or does the totality of its meanings — up to and including its flavors, fragrance and neurological kick — stem from a cultural moment, a peculiar and corporate-engineered hinge in time and place?
Click here to read the full article.

Your Monday Manga Minute

From Publisher's Weekly:

"With the success of the wildly popular Naruto and Death Note, Viz Media is at the head of the game in manga publishing. Viz titles regularly dominate graphic novel bestseller lists. One of the early manga and anime distributors in the U.S., Viz was present in the early 1980s when the market was a small cult of hobbyists and hardcore fans, and has seen it grow—manga sales in 2006 were about $175 million-$200 million—into the beginnings of a real mass market category available in chain stores and national retailers. Alvin Lu, v-p, publishing at Viz Media, spoke with PWCW during the recent New York Comic-con and afterward, sharing his views on manga and the broad category of graphic novels and the changing U.S. marketplace for them."

Click here to read.

Sunday, May 6, 2007

Books - Good and Bad

Joe Queenan delights in being provocative, and his essay in today's New York Times Book Review will surely brew up a storm of comments. He writes, "Bad books fall into three broad categories: the stupid, the meta-stupid and the immoral. Each has its own inimitable charms." We posted two essays last week offering up differing opinions about literary taste...Charles Johnson says we shouldn't waste our precious time on junk, and on 2Blowhards.com they poke at the pretentiousness of literary fiction. In the May issue of the Quill (Inkwell's Newsletter) Cristin writes about the guilty pleasures of reading books you know are bad, but bad is subjective, isn't it? Click here to read Queenan's ode to trash, but only the very best trash of course.